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  • 19 Feb 2017 5:57 PM | AIA Gulfcoast (Administrator)
    2100 Bahia Vista St., Sarasota. Paul Rudolph, architect; interior renovation and exterior restoration in 2015 by Harvard Jolly with Jonathan Parks, AIA.

    The 1960 addition to Sarasota High School, designed by Paul Rudolph, was the influential architect's seminal work in Sarasota.

    By the time it opened, Rudolph, then 42, had become dean of the architecture department at Yale. The building marked his transition from dainty beachfront houses to the large-scale public buildings of his Brutalist period.

    Built without air-conditioning, the building's classrooms have large glass panels on the south side that opened to allow cross ventilation. The interior hallways were open-air, allowing hot air to escape through the roof system. The building's signature, vertically mounted shading panels helped control the sunlight.

    As part of a larger campus renovation plan, the county School Board spent $8.5 million to revamp the landmark, creating a fresh image for the school and preserving a building that exemplifies the celebrated Sarasota School of architecture.

    The renovation completed an often-contentious 15-year effort by the local architectural community to save the building.

    Before demolishing another Rudolph-designed building, Riverview High, in 2009, the board promised to "appropriately rehabilitate" Rudolph's work at Sarasota High. In 2012, plans coalesced to restore the building's exterior, keeping the entry breezeways open while rehabilitating interiors for "21st-century learning."

    Sarasota Architectural Foundation members generally praise the restoration work.

    "The rehabilitation of the exterior looks fantastic," said Janet Minker, the foundation's board chairman. "Our community has saved one of the most important midcentury public buildings in America, and we should all be proud."

    The school district's deputy superintendent, Scott Lempe, says the rehabbed structure is a "win-win" for staff, students and the architecture community.

    "As you walk up to the school today, your arrival experience is very much like it was in 1959," Lempe said during a recent tour. "The students of SHS have the best science experience in the county today because of what was done on the inside of the building."

    Tandem Construction completed the work from Harvard Jolly Architects designs, with expertise on Rudolph provided by Sarasota architect Jonathan Parks.

    The renovation was originally expected to cost $7 million, but the discovery of asbestos in exterior stucco required a tedious and costly abatement. All concrete surfaces had to be scraped and chiseled by hand, then repaired and recoated.

    Other major parts of the project included removing a parapet to restore the roofline as Rudolph designed it; shoring up the west end of the building, which had settled into the elevated ground about three inches; removing air-conditioning and electrical conduits from the exterior; installing code-compliant railings; and repairing several damaged support columns.

    "The success of the project is to keep the breezeways open," Parks said. "The bigger success was not having the building torn down.

    "The original gestures of the exterior are now prominent," he added. "The parapet had put a lid on the building. Now it is like a ballerina on her toes."

    "Florida Buildings I Love" was created by real estate editor Harold Bubil as a Facebook and Twitter series in 2016 and is being adapted for this section. Harold has prepared a slide show for presentation to civic groups.

  • 14 Nov 2016 10:07 AM | AIA Gulfcoast (Administrator)

    Letter From Home: After the beach is gone

    By Harold Bubil
    Real estate editor

    I recently completed an article on sea-level rise. It is scheduled to appear on page A-1 on Sunday.

    I say “completed,” but the sea-level rise story is one that has no ending. Not in our lifetimes, not in the lifetimes of those 20 generations from now. The sea will go up and down until there is no sea. People debate the cause, and whether it is increasing in rate because of the burning of fossil fuels, but I don’t want to get into that here. You are invited to share your views in the Comments section or on your Facebook page.

    For our purposes, it is prudent -- no, essential -- to think about what could happen by 2040, and 2140, to Florida’s economy, particularly its real estate market, if the sea rises 3 to 10 feet or more in the coming century, as many predict. People come here for the weather and the beaches. Then they buy houses. We have spent many billions developing our coastlines, and a lot of communities depend on the property tax revenue that such development generates.

    Ringling College futurist Dr. David Houle predicts that Florida’s beaches will be underwater -- along with a lot of beaches around the world -- by 2040 because of sea-level rise caused by a warming atmosphere. That will melt glaciers and ice sheets on land, and as that water runs off into the sea, the level will rise.

    If all the ice on land melted, sea level would go up by 212 feet, scientists estimate. Clermont, in Lake County, is at 300 feet. Most of the rest of the state would be underwater if that happened, but we may be talking hundreds of years from now, says oceanographer John Englander, author of “High Tide on Main Street.”

    When Houle gave a speech to local Realtors recently, he made headlines by asking, “At what point does it become fraud to sell beachfront property?” Especially if the beach will disappear long before the house falls down.

    He elaborated on that comment for me in a more recent interview.

    “The two industries that understand climate change more than any others are the insurance industry and the reinsurance industry,” Houle said. “By 2020 or shortly thereafter, expect that nobody buying any beachfront property will be able to get a 30-year loan; they may not be able to get a 20-year loan. They might only be able to get a 10-year loan, because the insurance industry may not think there will be collateral against the loan by the time the mortgage is paid off.”

    I noted that most homes on the beach, including all the newer ones, are elevated one story, so they would not suffer structurally from the 3- to 6-foot rise that is being predicted by the end of the century.

    “Even the house is elevated, there won’t be any beach, so it won’t be beachfront anymore,” Houle said. “So the elevation doesn’t matter.

    “I wanted to be provocative,” in speaking to the Realtors, he said, “because part of me, as a futurist, is to provoke people. I then said, ‘However, I’ve been hearing that a lot of the big sales in Sarasota have been all-cash. So when does it become fraud for a real estate agent to do an all-cash transaction on beachfront property?’ If it is all-cash, there is not going to be a disclosure that only a 10-year mortgage is available. If they are really, really rich, they may not care. ‘Oh, I will get 10 years out of this building. That is fine.’ But when does it become fraud not to disclose it? That is what provoked the conversation.

    “The most distinguished grey-hair in the room was smirking,” Houle told me. “Afterwards, this man comes up to me and says, ‘I am in the lending business, and I’ve been telling my guys that we’ve got to get out of beachfront lending as soon as possible.’

    “So what I had forecast 10 minutes earlier, this guy was saying he has to do now. So to me, it validated my vision that not lending on beachfront property is going to be fairly accepted in five years.”

    That is something that no one in real estate wants to hear.

    Architects on board?

    Houle also recently spoke to a group of local architects, but found them much less receptive to his message than were the Realtors.

    “I am surprised that he has said that,” said Fort Myers architect Joyce Owens, incoming president of AIA-Florida. “I felt that when we had John Englander, our strategic council immediately jumped on board to what he was saying. It became one of three topics we decided to pursue.”

    She said AIA-Florida is committed to its sea-level rise policy.

    “It is just a fact now. You can see the glaciers melting and the water rising in those low-lying areas. But there is political thought that it is not happening. We feel very strongly and are not backing down on that.

    “The board is on board, and they are raising awareness to the membership. Englander was very well-received; the audience loved it. That is what we should be doing as an organization – be the thought leader for the profession. Nobody booed him, but there are skeptics. You can’t deny climate change. You can dispute whether it is manmade, but it is happening.”

    In taking up this cause, the AIA’s role will be both to educate its membership and their clients.

    “It is going to be encouraging clients to not to be blind to the fact,” Owens said. "Designers will have to consider that in the design. I work a lot on Sanibel and Captiva, where houses have to be on pilings. She says “island rethink” is necessary to solve the design challenge of higher sea level.

    “How do we redesign these buildings so you can take positive advantage of building the houses higher and making the space under the house usable space? Try to have beautiful outdoor spaces under the houses you want to use.

    “Under the house – so it doesn’t become space for weeds and to be walled in storage. Make it into something useful. You have to design that space to the right proportion so it is not uncomfortable. Draw people into the house at the lower level. It takes a lot of skill to do it right. It can be a space that is usable and alive.”

    The end of Florida as we know it?

    Houle said that in 100 years, Florida will be a much different place. Millions of people will have had to move from the coasts; he says “strategic retreat” is the orderly way to do it. In other words, plan ahead.

    “Florida as it has been defined in the 20th century (as a dream state of beaches, resorts and waterfront living) will be over,” he said. “That doesn't mean Florida will be over. That is the problem with making these distinctions. People say, ‘Oh, you’re just a nihilist. Of course, there is going to be a Florida.’ Yes, there is going to be a Florida; it might have 500 fewer square miles in it, by 2040 for sure. And there won’t be any beaches. But there will be a Florida, and it could be a wonderful place. But we need to start thinking about the wonderfulness of the place, rather than through the current lens.”

    Five hundred square miles is only 1 percent of the state's land area, but there is a lot of expensive real estate in those 500 square miles, which includes beach and bay areas, river banks and the Everglades.

    “My two-word answer to sea-level rise is, 'Wisconsin and Minnesota.’ They don’t have tornadoes, they don’t have earthquakes, they have plenty of water. Sea-level rise will not affect them. I am trying to do humanity and America and Floridians and Sarasotans a service by saying, 'Wake up, let’s get together. Here is the future, whether you like it or not.’

    “Architects so don't want to hear it.”

  • 14 Nov 2016 10:05 AM | AIA Gulfcoast (Administrator)

    "The sea is rising, and it can’t be stopped.”

    “Climate change is a hoax.”

    “It is the end of Florida as we know it.”

    “Buyers don’t care about something that might happen 60 years from now.”

    That, in three dozen words, sums up the divergent beliefs in what could turn out to be the biggest real estate story in Florida since Ponce de Leon discovered the peninsula in 1513.

    Florida coastline sensitive to sea-level rise

    Bigger than the 1920s boom. Bigger than the 2007 bust. Bigger than the 1862 Homestead Act.

    Sea-level rise “is not a science issue. It is a real estate, finance and built-environment issue,” said John Englander, a Boca Raton-based oceanographer and author of “High Tide on Main Street.”

    The planet’s ice has melted before — even the skeptics will stipulate to that — and it will do so again, scientists say. The atmosphere will get warmer, which may or may not be caused by the burning of fossil fuels by humans. So, the questions become, when will the sea rise, by how much, and what will it mean for a Florida economy that is built around the waterfront dream?

    And, most importantly, what should we do about it?

    No less an organization that the American Institute of Architects’ Florida-Caribbean chapter has adopted a policy that its members should plan for 3 feet of sea level rise by the end of the century. Many scientists believe the 3-foot estimate is inadequate; the rise could be 6 feet or more.

    Besides raising infrastructure, installing pumps in storm sewers and elevating buildings (steps for which the architects would play critical roles), the simple answer for the state’s homeowners, should the sea rise appreciably in this or the next century, would be to evacuate the coasts. Property along the Lake Wales Ridge, in Highlands, Polk and Lake counties, could rise in value, as elevations of 150 to 250 feet above sea level are common there. Clermont soars to 305 feet.

    Sarasota’s average elevation — and it is the highest coastal city in southern Florida — is 16 feet. Venice and North Port are at 9.8, Bradenton and Punta Gorda 5.9, Naples and Holmes Beach 2.95.

    Sea-level rise believers, such as Englander and Ringling College futurist-in-residence Dr. David Houle, say Sarasota could become an island — and one whose fabled beaches will be underwater by 2040.

    “Sea-level rise is already baked in,” Houle said. “The question is how much, and by when?

    “We need to be thinking about, what does it mean to live in the post-beach economy?”

    Opportunities

    In flat, low-lying Florida, “for each foot of sea level rise, the shoreline moves inland 300 feet,” Englander told the AIA-Florida last summer.

    “The beach doesn’t matter. One foot could be a mile inland on tidal rivers.”

    Reducing carbon emissions, while perhaps admirable and necessary, Englander said, is not the solution. “Less carbon is good, but it will not stop sea-level rise. If the world never burned another lump of coal, we will still have SLR. The heat is in the system.”

    But there is no need for panic, Englander is quick to add: Sea-level rise presents opportunities for innovation and even profit.

    “With this crisis, there is an opportunity. This is not going to whack us tomorrow. We have time to plan and adapt if we stop fooling ourselves. We have to plan for it with the right criteria,” he told the AIA, even if the benefit might not be evident for decades.

    “Let’s do intelligent adaptation. Let’s say, if you can see the big picture, know that it is going to be 3 feet or more higher. Let’s start planning for it, but not panic,” Englander said. “That is counter-intuitive because we tend to be prepared for the disaster tomorrow, and this one is not the kind of thing we usually plan for. It is like planning for our retirement; we need to do it incrementally and as we go along.”

    There will be “huge fortunes made helping people relocate, helping people elevate, helping new designs,” Englander said. It could be a growth industry rather than just a drain, relying on no tax dollars, he said.

    But in the interim, sea-level rise, and the bad publicity surrounding it, could cause waterfront property values to fall and people to move away from the coasts. That may not seem like a bad thing to some, but the fallout for local and state governments, with less property tax revenue to pay for services, could be disastrous.

    “There are going to be some places we eventually need to abandon,” Englander told the Herald-Tribune in an interview. “But this is slow enough that it doesn’t need to be catastrophic.

    “The longer we delay and deny, the worse it will be. Sea level is going to be higher, and Miami and Sarasota, sometime in the next two centuries, aren’t going to be the cities we know now. There may be parts that have been elevated. There may be some floating parts. We don’t know that yet. But until we tackle the problem, it is like saying, ‘Let’s go to the gym, let’s eat well, take vitamins and take care of our bodies.’ We kind of need to do that with the land; we just never thought it was at risk before.”

    Not buying it

    Many people in the real estate industry — including builders, architects and developers — aren’t buying the sea-level rise issue.

    Architect Gary Hoyt, whose firm has designed many prominent buildings in downtown Sarasota, says it is a hoax promoted by people just looking to gain prominence and income.

    “Follow the money,” Hoyt said.

    Sarasota homebuilder Lee Wetherington and Sarasota waterfront luxury homebuilder Mark Miller are with Hoyt.

    “I have been a resident for almost 46 years,” Miller, whose company is Westwater Construction, said in response to a Herald-Tribune question posted on Facebook. “I have been a builder for 26 years on the waterfront. Climate change has occurred for millions of years. There has not been any real evidence of rising water level locally in the last 100 years. Streets have always flooded, and the Miami example is not an accurate depiction of sea-level rise.”

    On the west side of Miami Beach, for example, streets are at or only slightly above sea level because of subsidence, the gradual caving in or sinking of land. Seasonal high tides push water up through the storm sewers from Biscayne Bay and onto the streets. Some say this has always been a problem, but a study by the University of Miami says king-tide and sunny-day floods are getting more frequent and lasting longer.

    “As with all of my clients and anyone who chooses to live on a tidal body of water, there always is risk,” Miller said. “Until there is a proven pattern of water level rise, the risk is worth the reward and waterfront will keep going up in value.”

    “I’m a skeptic,” said Wetherington, who has been building houses in Manatee and Sarasota counties since the 1970s. “I’ve been listening to this nonsense about water rising for 40 years. It hasn’t. Most all the people who are experts are being supported by grants from the government. I remember in the 1980s, when the left pushed (that) we would run out of oil by early 2000s. We did not.

    “I haven’t seen the water in the bay any higher than I did 40 years ago. Property values will continue to go up by the water. Those owners will always get insurance and financing. I’m more worried about hurricanes and lightning strikes than climate change. ... The flood maps have changed because of storm surge, not higher water. We'll just have to wait and see if it happens or is this more nonsense from the left.”

    But Englander counters that there is a reason the water doesn’t look any higher in Sarasota Bay than it did in the 1970s.

    “Sea level can’t go up more than a few inches a year, no more than a foot a year in the worst-case scenario we can imagine — the ice sheets melting, something on that order. If storms come to town, we would get 10 or 20 feet of storm waves, so we worry about them,” he said. “The sea level is creeping along, only an eighth of an inch a year, but the rate is doubling every 20 years. It used to be 40 years.

    “In five doublings, we have gone from an eighth of an inch to 2 inches a year. It is a geometric progression. We tend to overlook it because it is small at the moment, but even accumulating an 1 inch a decade is a problem, because tides and storms often breach a levee, or get in the threshold of your house, by a 1 inch difference. That is why it is so confusing.”

    Wait and see?

    The cost of waiting and seeing is something that alarms Englander.

    “One of the reasons politicians and some businesspeople are reluctant to deal with this is because cheap energy from coal and other sources is very seductive. We are used to it. We don’t want to give it up,” he said. “But we have trillions of dollars in the world invested in coastal property that is going to go under water in the next couple hundred years. That is a problem, a risk, and we are going to have to adapt.”

    Longtime Sarasota architect Phil Skirball backs AIA Florida’s new policy.

    “Low-lying areas may become wet, uninhabitable and worthless,” Skirball said. “Parts of Miami already (are) flooding during high tides. Governments and therefore taxpayers may be forced to spend money on drainage improvements and pumping equipment in a futile or horrendously expensive attempt to try to turn back the sea. (That is) already happening in South Florida. Flood maps and high-water lines will be revised, making some lots unbuildable. Insurance rates will increase. The economy will suffer.”

    In the meantime, the Florida waterfront dream will continue for those who can afford the risk.

    “The demand for waterfront homes in Sarasota remains strong,” said Kim Ogilvie, a Realtor who has sold a lot of them during her long career with Michael Saunders & Co. “There will always be risk associated with waterfront property, just like there is risk with mountainside homes in California due to earthquakes, riverfront homes in the Midwest due to floods, and so on.

    “But for decades, thousands of homeowners have felt the rewards to be much greater. The demand has not changed, and, if anything, we have seen the current global economic and political conditions affecting decisions far more.”

    This story has been updated to correctly identify Mark Miller.

  • 19 Oct 2016 10:53 AM | AIA Gulfcoast (Administrator)

    Are You Ready for DOL Overtime Rules?

    The Department of Labor’s or DOL new overtime rules are set to go into effect on December 1st. To help you sort out the requirements and navigate your own situation, the AIA has published a number of overviews.

    DOL Overtime Rules

    See the recent AIA articles below along with a DOL fact sheet:

    In addition, the AIA just co-sponsored a webinar hosted by K&L Gates about the overtime rules and how to deal with them.  You may access the webinar by clicking here: http://cc.callinfo.com/play?id=1p1fy

    Remember, planning is key and December 1st will roll around quickly. You need to determine how exactly the overtime rule will impact your firm, based on its size, location, and other factors. In addition, you will need to consider how other businesses with which you subcontract may be impacted by new labor costs so that any changes may be incorporated into your business projections.

    For questions on the DOL Overtime Rules, please contact Alex Ford, Manager, Federal Relations at the AIA, at 202-626-7442.

  • 19 Oct 2016 10:50 AM | AIA Gulfcoast (Administrator)

    Ten Things To Know About P3s

    In her new role as Director of Victor O. Schinnerer & Company’s Risk Management Services, Yvonne Castillo will be expanding the company’s resources in terms of project delivery for public works. She’s identified the 10 things on which architects should focus when trying to enter the public-private partnership or P3 project delivery market.

    Public Private Partnerships

    With governments across the nation struggling to make ends meet, i.e., increased infrastructure demand with decreased funding, many are turning to new ways to fund the upfront costs associated with the design and construction of horizontal and vertical infrastructure. One of those new ways involves private financing of public infrastructure.

    (1) Nomenclature

    When you hear “P3” or “PPP” or “public-private partnerships,” substitute “design-build-finance-operate-maintain project delivery.” It’s been used for decades in other parts of the world to deliver public infrastructure (horizontal and vertical) and now governmental entities (federal, state, and local) in the United States have developed a strong interest in institutionalizing this as a new project delivery method to deliver public infrastructure.

    (2) New Laws

    To gain traction in the U.S. and minimize the political risks for investors, comprehensive enabling legislation has either passed or is being considered across the country. As an architect, you have a vested interest in influencing how these laws are written and how your services will be procured. You can view a comprehensive webinar on the legislative landscape. Contact your state professional association to explore ways for you (and your profession) to get involved.

    (3) New Stand-Alone P3 Agencies Are Being Created

    To assist states in identifying, vetting, and developing a pipeline of P3 projects and to support agencies that have an interest in exploring the use of P3, states are following cues from other countries’ experiences by creating stand-alone agencies with P3 expertise who can effectively analyze value for money and a comparison to other project delivery methods.

    (4) Market Drivers

    The market drivers for P3 in the U.S. are (1) severe deferred maintenance and (2) severe budgetary constraints. Depending on the type of infrastructure (i.e. roads, bridges, ports, water treatment facilities, dams, airports, schools, etc.), the last major investments occurred 50 years ago.

    (5) Greenfield/Brownfield Pipeline

    The pipeline of greenfield projects in the U.S. is robust, having more than tripled in 2016 so far, as compared to 2015, with a capital expenditure value of almost $8 billion…and we’re only halfway through the year. Brownfield projects have been a tougher nut to crack in this space, but in the U.S., due to the vast under-investment over the past several decades in existing infrastructure, there should likely be a similarly robust pipeline of projects.

    (6) Recent Projects

    In the last 18 months, 11 deals have closed with a value of $10.4 billion total, with an average per capital expenditure of $945 million. Next Wave: Depending on your state, there are a number of P3 projects being planned in California, Virginia, North Dakota, Pennsylvania, Arizona, Michigan, Iowa, Texas, and Florida – 23 known so far. See InfraDeals, Breaking the Barriers to US Infrastructure Potential (2016).

    (7) Procurement

    The P3 procurement process is lengthy, averaging just over two years per project, and involving multi-million dollar front-end investment by teams in hopes of winning the project. See InfraDeals, Breaking the Barriers to US Infrastructure Potential (2016).

    (8) Funding/Financing

    This isn’t a funding tool; it’s all about financing, and there’s plenty of private capital ready to be tapped to help finance the upfront planning, design, and construction. Institutional investors (such as pension funds) have a keen interest in investing in public infrastructure because of low yields in other markets and the fact that public asset classes perform consistently well and are well-suited for long-term returns. Municipal bonds remain another source of funding and are often instrumental in attracting private investor interests to make the P3 contracts an attractive return on investment.

    (9) Life-Cycle Considerations

    Government capital construction budgets have not historically accounted for operations and maintenance issues. P3, because it is based on long-term financing, allows (and encourages) governments to think about what it costs to own a building or other asset throughout its life-cycle. It’s important to note that P3 involves ownership remaining with the public entity, while M&O responsibilities are transferred over a long-term period.

    (10) Bundling is Gaining Traction

    This project delivery method generally makes sense for investors when the projects are large and complex due to the high-transactional costs, but lately there’s been a trend toward bundling smaller assets (schools, bridges, municipal buildings), which means small and medium-sized design firms may see an uptick in activity.

    Private financing of public infrastructure is a solution, among others, that can help governments not only in moving forward with new construction, but also, and most importantly, in renewing infrastructure and integrating modern design and technology. It’s not a panacea, however; the vast majority of projects aren’t necessarily large enough to be bankable prospects. The key takeaway and benefit is that if certain large-scale projects can access private financing, capital construction budgets will be freed-up to move forward with traditional funding, and that’s a good thing for everyone.

    If you’re reading this and wondering how your firm might start exploring P3 work, the ways are not unlike exploring any other public works—your firm should read industry publications, including P3 publications, (e.g. P3 Bulletin, InfraAmericas), review local planning board and city council meeting minutes to flag P3 planning, review state public agency websites for upcoming solicitations, and prioritize relationship-building with large A/E (E/A) firms who are currently doing this kind of work.

    Victor O. Schinnerer & Company, Inc. and CNA work with the AIA Trust to offer AIA members quality risk management coverage through the AIA Trust Professional Liability Insurance Program and Business Owners Program to address the challenges that architects face today and in the future. Detailed information about both these programs may be found on the AIA Trust website, TheAIATrust.com.

  • 22 Aug 2016 8:53 AM | AIA Gulfcoast (Administrator)

    Letter From Home: Adding depth to downtown Sarasota

    By Harold Bubil , Herald-Tribune

    / Sunday, August 21, 2016

    Guy Peterson with his Gold Medal from the American Institute of Architects' Florida/Caribbean chapter. Staff photo / Harold Bubil; 8-16-2016.

    Guy Peterson with his Gold Medal from the American Institute of Architects' Florida/Caribbean chapter. Staff photo / Harold Bubil; 8-16-2016.

    The Herald-Tribune’s well-attended reception for AIA Florida Gold Medal-winning architect Guy Peterson on Aug. 16 touched on a number of subjects, including designing with sea-level rise in mind (a serious issue in Florida, to be saved for another day here), and the evolution of downtown Sarasota.

    The architect panelists – AIA Florida’s 2016 Design Awards winners Jonathan Parks, Jerry Sparkman, Michael Halflants, Greg Hall, Sam Holladay, Carl Abbott and Peterson – noted that with the rapid construction of residential buildings both in downtown and the Rosemary District, another type of retail will be needed – grocery stores to go along with the plethora of restaurants, clothes stores and gift shops.

    “What makes this a great city, and will continue to do so, is a balance between all parts of what makes up our culture,” Hall said. “We have residential being built right now. But what have to come with that are the types of businesses and types of architecture to support that. Remember the 5&10 on Main Street that is no longer there? The 5&10 will come back. The corner grocery store will come back, because now there is going to be a need.”

    While many longtime residents complain about the pace of change in Sarasota, Abbott, who established his practice here 50 years ago, said, “It is hard to judge right now. All of this is happening so rapidly. Most cities evolve over long periods and adapt to the buildings as they are built. That is not happening right now.

    “There have to be more grocery stores beside Whole Foods,” Abbott said. “There have to be more shops, more tailors, because people will be living here. And with all the people filling these buildings, it is going to be hell to drive.”

    Halflants, who is designing 4- and 5-story multi-family buildings in the Rosemary District, said that area’s development will add an extra dimension to Sarasota’s built environment.

    “You are creating a streetscape, an environment created by many buildings together,” Halflants said. “The Rosemary District has some older buildings to go with the new ones, and it is really going to give the city more depth.

    “I have been looking for the downtown for a long time in Sarasota. Having more depth, so it is not just Main Street, where you have other places you can go, is only going to put the pants back on the city.” (That, a reference to urban planner Andres Duany’s one-time assertion that from an urban development standpoint, Sarasota needed to take off its beach shorts and put on some grown-up pants.)

    Follow Harold on Twitter (@htrealestate) and Facebook (Facebook.com/Harold.Bubil).

  • 15 Aug 2016 11:16 AM | AIA Gulfcoast (Administrator)

    WFTS Webteam

    4:41 AM, Aug 2, 2016

    4:43 AM, Aug 2, 2016

    Copyright 2016 Scripps Media, Inc. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.

    SARASOTA, Fla. - Tech Insider has released a list of the most beautiful libraries in each U.S. State and they have named The Gulf Gate Library in Sarasota the most beautiful in Florida. 

    The past and current award-winners from each state were judged by the American Institute of Architects and the American Library Association awards. 

    Here's the caption about the Gulf Gate Library:

    Florida: The Gulf Gate Library in Sarasota opened less than a year ago but has already been recognized by the AIA Florida chapter for its flexible meeting spaces and warm, inviting design.

    The Sarasota County Libraries Facebook page said it was an honor to be included on the list.

  • 07 Aug 2016 12:17 PM | AIA Gulfcoast (Administrator)

    Ryan Gamma, AIA Florida's Photographer of the Year

    By Harold Bubil , Herald-Tribune

    / Sunday, August 7, 2016

    Architectural photographer Ryan Gamma of Sarasota is AIA Florida's 2016 Photographer of the Year. He is seen here at the new Siesta Beach pavilion designed by Sweet Sparkman Architects. STAFF PHOTO / DAN WAGNER

    Architectural photographer Ryan Gamma of Sarasota is AIA Florida's 2016 Photographer of the Year. He is seen here at the new Siesta Beach pavilion designed by Sweet Sparkman Architects. STAFF PHOTO / DAN WAGNER

    Ryan Gamma used to spend much of his workday treading water, and, as often as not, in over his head.

    Now he spends it backed up in a corner, trying to keep everything straight.

    Gamma, 36, of Sarasota, is a professional photographer. He started his career as a surf photog, dodging boards while getting breathtaking shots of “the athletes” in the shadows of breaking waves known as tubes. But he gave up the “young man’s game” in favor of shooting houses and other structures for real estate agents and architects.

    Not many tubes — just lots of squares. Besides lighting and composition, he is concerned with making sure the clean lines of modernist architecture are as straight as possible in the frame.

    This house, formerly the Freund House when designed by Guy Peterson on Siesta Key in 2000, and photographed in April 2016 by Ryan Gamma.

    This house, formerly the Freund House when designed by Guy Peterson on Siesta Key in 2000, and photographed in April 2016 by Ryan Gamma.

    One of his favorite shots is to stand in the corner of a room and shoot toward the other corner to capture as much of the space as possible.

    “In real estate, you create lifestyle images that are enticing to the buyer, but at the same time, you are really there to document space,” Gamma said. “They want to see the rooms they are buying. It is not so much about interior design or shooting vignettes of the furnishings.

    “Shooting the corners is a good way to show a potential buyer what they have. With a rectangular space, if you stand in the corners, you can show the space quickly.”

    But when shooting architectural photos for such architects as Guy Peterson and Todd Sweet and Jerry Sparkman, space, light and form take priority.

    “I look for symmetry,” he said.

    The former Hafner Residence, now owned by the Streacker family, in Sarasota's Laurel Park, as photographed by Ryan Gamma.

    The former Hafner Residence, now owned by the Streacker family, in Sarasota's Laurel Park, as photographed by Ryan Gamma.

    Gamma is good at it. On July 23, he received 2016 “Photographer of the Year” honors at the convention of the American Institute of Architects’ Florida/Caribbean chapter in Palm Beach.

    “The way he sees things is different,” said Peterson, the AIA Florida 2016 Gold Medal winner, who nominated Gamma for the photography award. “I have a strategy about hiring photographers. A lot of people would say to them, ‘I want you to take this picture and this picture and that picture.’ I may have one image I might want to have, but I don’t want to prejudice the photographer. I like them to go out and interpret the project with their cameras and their art.

    “He always surprises me by seeing things that even I haven’t seen in my work,” Peterson said of Gamma. “That, I find, to be a real attribute of his. The clarity of his photography and the depth of field are remarkable. I am so glad he has received this award. I am very proud of him.

    “And it is not just his architecture photos. His other work is quite spectacular,” including the surfing photos, which he began shooting after graduating in 2000 from Daytona Beach Community College’s (now Daytona State College) photography program.

    Hand in hand

    Built as the multi-colored Freund House in 2000 and now with new owners, this house was designed by Guy Peterson on Siesta Key and photographed in April 2016 by Ryan Gamma.

    Built as the multi-colored Freund House in 2000 and now with new owners, this house was designed by Guy Peterson on Siesta Key and photographed in April 2016 by Ryan Gamma.

    Photography and architecture go hand in hand. In fact, architects are dependent upon photographers; in most architecture design awards programs, the jury makes its decisions based upon photos.

    Photographs are “the most important part of disseminating one’s work beyond the client,” said University of Florida architecture professor Martin Gold. “It is what makes the work more of a community experience, nationally and internationally.”

    Without architectural photography, the Sarasota School of architecture might be just a footnote. But photographer Ezra Stoller’s large-format, black-and-white photographs of the 1940s and ‘50s designs of Paul Rudolph, and others, are considered classics of the art and brought international fame to the city. They served as the core imagery for John Howey’s 1995 book, “The Sarasota School of Architecture.”

    Gamma feels the legacy.

    “For me, I am quite partial to modern” architecture, he said. “I like the historically significant stuff, as well, and in Sarasota, we are fortunate to have quite a bit of that stuff still around.”

    That would include boomtime buildings from the 1920s. But he prefers to shoot contemporary buildings with a modern design language.

    “It speaks to me,” he said.

    Surfer Nils Schweitzer, the son and grandson of architects, is captured in a tube wave off the coast of Nicaragua by photographer Ryan Gamma, who made the transition from surf photography to real estate and architecture photography.

    Surfer Nils Schweitzer, the son and grandson of architects, is captured in a tube wave off the coast of Nicaragua by photographer Ryan Gamma, who made the transition from surf photography to real estate and architecture photography.

    Gamma is a Sarasota native who lived several years in Atlanta before returning to Sarasota in 1998. Then he enrolled in college and got his break in surf photography, where an equipment company might pay $5,000 for full rights to a single image.

    A photo session could be three hours. He wore short fins on his feet and held his camera in one hand, using his other arm as “an outrigger” as the wave broke over him. He would be as close as 1 foot from the surfer when he fired the trigger on his pistol-grip waterproof camera housing at the precise moment.

    A clear shot required frequent cleaning of the housing’s lens. This was achieved by spitting on and licking the lens to coat it with saliva, and then dunking it in the sea. Spit, lick, dunk, shoot. Repeat as needed. Edit photos, collect check.

    Back to Sarasota

    He became photo editor of Eastern Surf magazine, but moved back to Sarasota in 2009.

    “I felt burned out on the surfing thing. That is a young man’s game,” Gamma said.

    “I didn’t know what I was going to do. Then I was lucky enough to run into the ladies at Michael Saunders & Co. I had an interest in architecture, and it snowballed. I had no idea it was going to take me where it has taken me.”

    The former Hafner Residence, now owned by the Streacker family, in Sarasota's Laurel Park, as photographed by Ryan Gamma.

    The former Hafner Residence, now owned by the Streacker family, in Sarasota's Laurel Park, as photographed by Ryan Gamma.

    Aside from the Saunders marketing department, Gamma met Saunders agent Drew Russell through mutual friends who were part of the tight-knit Gulf Coast surfing community.

    “I was itching to give it a go,” Gamma said of the real estate photography. “I shot a couple (of listings) for Drew, and then Beth Ward in the marketing department gave me a lot of work,” along with agent Deborah Beacham, who specializes in luxury properties on Casey Key and other barrier islands.

    “I can’t thank them enough,” Gamma said. “If it hadn’t been for them, I wouldn’t be here. They gave me lots of practice shooting real estate.”

    “It is refreshing to come across young talent in someone I find to be enthusiastic about his work, extremely focused on getting just the right shot, never in a rush,” Beacham said.

    Listings are different

    Real estate listings are different from architecture assignments. Most of the listings are not new, and they often are amply furnished with the owners’ possessions. Some listings are more photogenic than others.

    “In real estate, you are photographing stuff that is going to make the house marketable to an audience of people who are going to purchase the home,” Gamma said. “So there are things you might photograph that are not architecturally significant to the building, but are a great tool to market the property.

    “Some things might be dated, or the land itself is the important part” of the listing. “With architecture, it is the design, the shapes,” said Gamma, who said the first architect to hire him was Xavier Garcia of Las Casitas.

    The Robinson Residence, a remodeled home in Lido Shores by architect Guy Peterson, as photographed by Ryan Gamma.

    The Robinson Residence, a remodeled home in Lido Shores by architect Guy Peterson, as photographed by Ryan Gamma.

    And, the buildings are brand new, with no flaws or clutter.

    “These are portfolio projects, and the building is the architect’s baby. This is his proud moment, right now, and for me, they are really exciting. I get a glimpse into a project that hasn’t been brought to light yet.”

    Shooting buildings designed by Guy Peterson, Gamma said, is the fulfillment of a dream.

    “When I first started shooting real estate, I hoped one day to be able to shoot photos for Guy Peterson,” he said.

    “I thought, ‘How thrilling it would be to shoot some of these projects.’ When that finally happened, I was over the moon. And for it to go to this level, to be nominated by his firm, it is hard to put in words how satisfying it feels.

    “It feels like I did something right.”

  • 30 Jul 2016 2:57 PM | AIA Gulfcoast (Administrator)

    Letter From Home: Big night for the Petersons, and Sarasota architecture

    By Harold Bubil , Herald-Tribune

    / Saturday, July 30, 2016

    Guy Peterson’s big night at the American Institute of Architects’ Florida-Caribbean convention last weekend in Palm Beach came equipped with a surprise.

    The 2016 AIA Florida Gold Medal winner knew about it. All he had to do was keep the secret.

    From his wife. Which he did.

    “It’s kind of scary, isn’t it?” said Cindy Peterson, a certified archivist and founder of the Center for Architecture Sarasota (CFAS). “Whoa!”

    Sarasota's Cindy Peterson receives her Honorary AIA membership from Martin Diaz-Yabor, left, the 2016 AIA Florida president and AIA Florida past-president Andrew M. Hayes during the AIA Florida-Caribbean convention July 23 in Palm Beach. Staff photo / Harold Bubil

    You know how well wives like their husbands to keep secrets. But this one was different. She was about to be presented with a rare honor — that of honorary membership in the AIA.

    When AIA Florida’s president, Martin Diaz-Yabor, started the program by listing the accomplishments of an unnamed person, Cindy Peterson started to get the idea.

    “When I heard the words ‘archival work’ and then ‘CFAS,’ I realized, ‘Oh, my gosh, I know that person!’

    Moments later, she was on stage, receiving the award.

    “The award was in recognition of my longtime archival work, promoting the profession,” she said. “I had no idea. We have been going to the AIA conferences for 38 years and I have never seen anyone conferred with this status at any of them, so it was really nice.”

    Honorary AIA membership is unusual. Past winners include Bob Graham, the former Florida governor and U.S. senator, who is known as a champion of good architecture. The Bob Graham Architectural Awareness Award is named for him. Cindy Peterson won that in 2013.

    "We estimate that fewer than a dozen honorary memberships have been awarded in AIA Florida's history, dating back to 1912," said Vicki Long, the chapter’s executive vice president. She is one of those recipients.

    “I am so pleased to have it conferred on me in light of the work of the Center for Architecture and preserving the architectural heritage of Florida,” Cindy Peterson said.

    “I hope to contribute to the AIA ... but I don’t think I have to pay dues. And I don’t have to worry about CEUs,” she said with a laugh. “There are lots of ways to participate and I hope to do that.”

    Best night: Sarasota architects who won AIA Florida design and/or honor awards. Staff photo / Harold Bubil

    Also receiving awards were eight Sarasota architecture firms for design work, and Sarasota’s Ryan Gamma was named Photographer of the Year. Martin Gold, director of UF's CityLab Sarasota, won the McMinn Award as an outstanding architectural educator.

    At the end of the program, Guy Peterson accepted the Gold Medal with a gracious speech.

    All of this got me to thinking that with eight design awards and four honor awards, this was the best night in the history of Sarasota architecture.

    ABBOTT, HOWEY, PETERSON: UPCOMING ARCHITECTURE EVENTS

    Lectures by architects Carl Abbott and John Howey are on the SAF’s August calendar, while Guy Peterson will be the guest of honor at a panel and reception presented by the Herald-Tribune.

    On Thursday, Aug. 4, the Sarasota Architectural Foundation will present a lecture titled “Maya to Modern: The Architecture of Carl Abbott” from 5:30 to 7:30 p.m. Thursday at Ringling College’s Academic Center Auditorium, 2699 Old Bradenton Road, Sarasota.

    Howey, author of “The Sarasota School of Architecture: 1941-1966,” will speak from 5:30 to 7:30 Friday, Aug. 5, at the Allyn Gallup Contemporary Art Gallery, 1288 N. Palm Avenue, Sarasota. His topic is “Summer Abstractions” as an exhibit opens on the abstract works of artists John Chamberlain, Syd Solomon, Richard Roblin, Josette Urso, Sonia Smith, David Shapiro, Helen Shulman and John Henry.

    Abbott will discuss his emphasis on designing “with the land.” He recently toured ruins in Mexico, Guatemala, Belize and Angkor Wat, Cambodia, and for years has studied design both ancient and modern. His own designs are guided in ways similar to those of ancient designers, whose architecture was in harmony with the natural environment.

    A reception and book signing of Abbott’s book, “In/Formed by the Land,” will follow the presentation.

    Reservations for both events can be made online at www.saf-srq.org.

    On Tuesday, Aug. 16, architect Guy Peterson, who received the 37th Gold Medal from the Florida-Caribbean chapter of the American Institute of Architects on July 23, will be the guest of honor at a reception and panel discussion presented by the Herald-Tribune from 5:30 to 7 p.m. Tuesday, Aug. 16, in our Community Room at 1741 Main St., Sarasota.

    The panel discussion will feature winners of AIA Florida design awards this year, including Carl Abbott, Jerry Sparkman, Greg Hall, Jonathan Parks, Michael Halflants and John Pichette, Sam Holladay, Pam Holladay and Michael Epstein and Peterson.

    The event is open to the public and admission is free. Refreshments will be served. Seating is limited; call 361-4065 for reservations.

     

  • 15 Jul 2016 8:45 AM | AIA Gulfcoast (Administrator)

    Taking Home the Gold

    Architect Guy Peterson Wins Major Award

    He receives the Gold Medal from the AIA Florida/Caribbean Chapter for his acclaimed body of work.

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    A Casey Key retreat designed by Guy Peterson was the cover of Sarasota Magazine's October 2012 Home & Garden issue.

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    Guy Peterson, FAIA, will receive the 2016 Gold Medal, the highest award bestowed by the American Institute of Architects Florida/Caribbean Chapter, at a ceremony in Palm Beach July 23.

    Already the recipient of more than 80 national, state, and regional design awards, including several awards of high distinction from AIA Florida such as the Presidential Millennium Award of Honor for Design in 2000, Peterson was elected into the College of Fellows of the American Institute of Architects in 2003, and his firm was named the AIA Florida Firm of the Year Award in 2013. 

    Among his many high-profile projects are the restoration and addition of Paul Rudolph and Ralph Twitchell’s 1949 Revere Quality House on north Siesta Key, the Spencer House on South Orange Avenue and the restoration of a midcentury former furniture store into the McCulloch Pavilion, the new home of the Center for Architecture Sarasota. He also is the architect for the luxury condo tower, Aqua, being built on Golden Gate Point, and the finish tower at the rowing facility at Nathan Benderson Park.

    Peterson also is receiving this award in recognition of his extensive pro-bono work for area nonprofits and for helping bringing the University of Florida’s School of Architecture graduate satellite program, UF CityLab Sarasota, to Sarasota along with the development of the Center for Architecture Sarasota. 

    “I am very humbled to receive this honor,” says Peterson. “It is always a privilege to be recognized by one’s peers and the Gold Medal represents that our work has had a positive impact on the profession.”  

    Guy peterson id4ygf

     

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